yish313 wrote:Is the "Scope Project" card enough that it will make a huge difference in my cubase streamed mixes. I havent the money right now to get the big 14 dsp card(oh how i want that soooo baaad!

. I do mostly vst music with some vocal recording.
I have been chasing this ITB quality issue since 96, I really need to know if this thing will put me in the league with major studio's sound quality.
I am loosing sleep following this platform. Every night after work i get off at 4am and stay up till 2pm researching.
-yish
Yish,
Do you have any clips you can post or direct me to? I'm curious as to the state of your current mixes. Scope is not going to put you in any different league that couldn't be achieved with Native. I have Scope yet I mix in SX. If there was a difference I'd be using Scope to mix with.
You mention vocal recording. That's the one big advantage Scope does have, no latency monitoring.
Give me a breakdown on what plugins are you using in SX at the moment.
With Scope you will have access to Vinco which is on par with some great hardware, I sold a $3000 dbs blue 160SL when I a/b'd it. The SonicTimeworks Reverb and Chorus is very nice as well, basically a PCM90/80.
The synths are generally a cut above what you find in native although it depends what types of sounds you program as to how much of a difference you'll hear.
You will basically have an almost equivalent to some nice hardware but in DSP form. That being said Native has caught up pretty far. I don't use half of these Scope modules anymore as I've found replacements that better fit my workflow yet still give me as good of sound in Native.
Don't get me wrong Scope is a great system, I just hope your expectations are realistic to what it's actually going to give you.
I'd love to hear an example of one of your mixes though, that would make it clearer as to what you actually need to get to the next level.