Optimaster+Timeworks MasterCompressor
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Not even close. (A lingeri shop without a window?)On 2003-07-12 14:27, King of Snake wrote:
don't these two plugs do pretty much the same thing?
Optimaster is a multiband compressor/limiter, and is pretty transperant.
Timeworks MasterComp is singleband, and it "colors" the sound somewhat...
I WIN !So you're actually double-compressing your mix? Seems a bit strange to me...

On my last mastering job I "tripple-compressed":
Vinco-> Optimaster-> VintagEQ-> MasteringComp (Hard)
Different compressors = Different sound and function.
I added the Vinco in addition to my usual setup in order to get the same effect that I usually get from the SSL mix compressor...
(With a quite pleasing result.)
Kim.
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Vinco is clearly an 1176 clone. (FET based Solid State Limiting Amplifier)On 2003-07-12 22:42, Music Manic wrote:
What type of compressors are the software ones trying to emulate?
In addition Vinco also has a softclip limiter, and the possibility to use RMS detection.
Use: On almost anything you want to have that "vintage compressor" sound.
D-Mute D-Comp is functionally much the same as Vinco, but not as "analog-sounding".
(But then again, it's free!)
Timeworks CompressorX doesn't seem to be modelled after one particular compressor. (Maybe Focusrite Red 3 ?)
It can do both RMS and peak detection, soft and hard ratio, and brick wall limiting. It is able to sound really transparent or "pumping" depending on settings.
Use: When you want more control over compression or more transperant sound.
The Optimaster resembles a Finalizer mostly. (Digital multiband compressor+limiter)
Use: Mastering. Can also be useful on submixes of drums, voices and beats.
Final Liza is a (simple) digital multiband compressor.
Timeworks MasteringCompressor Hard is a digital "loudness maximizer", using softclip compression and brickwall limiting. Responds much like a hardknee compressor, and sounds transparent if not overused.
Use: Mastering. (Or anything else you want "maximized".)
Timeworks MasteringCompressor Soft has the same functionality as the Hard version, but responds more like a softknee compressor and has build-in bass enhancer and high frequency "smoother". (Sounds a bit like transferring your mix to a high-end analog recorder to me.)
Use: Mastering. (Or anything else you want "maximized" and "analog-enhanced".)
Kim.
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Is it possible to "push in" all of the ratio buttons to get the 80:1 compression ratio like on the real version & TDM/RTAS plugins?On 2003-07-13 09:08, kimgr wrote:
Vinco is clearly an 1176 clone. (FET based Solid State Limiting Amplifier)
<font size=-1>[ This Message was edited by: scary808 on 2003-07-15 17:21 ]</font>
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No, unfurtunatly all buttons mode is not available in Vinco. Don't know why. In fact the ratio is not 80:1 but goes to somewhere between 12:1 and 20:1 ( http://www.uaudio.com/webzine/april/tex ... tent4.html )