Now they tell us!
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The filters are too dsp heavy to be run at high samplerates.
Anyone getting Pro One to do 96kHz? Didn't think so, for the same reason IMO.
I'd love to hear those filters and osc's at 96, but I also understand the filters are very powerfull. It's a bit of balancing between filter quality and samplerate...
Anyone getting Pro One to do 96kHz? Didn't think so, for the same reason IMO.
I'd love to hear those filters and osc's at 96, but I also understand the filters are very powerfull. It's a bit of balancing between filter quality and samplerate...
hmmm, thought I've read it somewhere the filters of the MiniMax are actually kind of oversampling (based on the common 44/48 k rates).
An increased base rate at 96k would either need another internal upscale to 192k (resulting in realtime problems) given it's a scalable architecture (which I dunno), or completely mess things up.
Would be intersting to get some details on the issue.
my 2 cents, Tom
An increased base rate at 96k would either need another internal upscale to 192k (resulting in realtime problems) given it's a scalable architecture (which I dunno), or completely mess things up.
Would be intersting to get some details on the issue.
my 2 cents, Tom
I use the Minimax at 96 kHz samplerate with SFP 3.1c, so it's another CW BS...I've bought the Minimax at its very beginning and have corresponded with CW on this topic, right now my Minimax works perfectly at 96 kHz!...Knowing now what you point out, I'll be very carefull with my CW upgrades!On 2003-03-03 00:47, Shayne White wrote:
After everyone has complained about MiniMax mysteriously not working in 96khz mode, CW finally says on their shop page that neither it nor Six-String are 96khz compatible.
Not that I use 96khz anyway or own those synths, but why??
Shayne

What I understand with this, is that Noah will not allow 96kHz samplerate...And I guess CW don't want us to compare, or I don't understand why they do what I consider beeing a foolish move.
I feel sorry about this kind of policy, really sorry...

Maybe it's time for CW to be bought by another company with importants banking funds, i feel their policy so silly these times...
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<font size=-1>[ This Message was edited by: Grok on 2003-03-03 19:47 ]</font>
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For my friend King of Snake I repeat it once again:
"This surreptitious move made by Creamw@re is totally scandalous"
I think they are in problems right now for doing things like that. A regression!
It's difficult for me to admit this fact, but it has be done! Incredible...

Come on Creamw@re! Stop doing silly things!
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<font size=-1>[ This Message was edited by: Grok on 2003-03-05 09:51 ]</font>
"This surreptitious move made by Creamw@re is totally scandalous"

I think they are in problems right now for doing things like that. A regression!

It's difficult for me to admit this fact, but it has be done! Incredible...


Come on Creamw@re! Stop doing silly things!
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<font size=-1>[ This Message was edited by: Grok on 2003-03-05 09:51 ]</font>
Grok, me too I'll repeat :
high sampling rates have nothing to do with quality.
Their only purpose is to make consumer equipment cheaper in production and tell those customers their new units are four times more powerful, so a two times price increase would still be a bargain.
cheers, Tom
<font size=-1>[ This Message was edited by: astroman on 2003-03-04 16:40 ]</font>
high sampling rates have nothing to do with quality.
Their only purpose is to make consumer equipment cheaper in production and tell those customers their new units are four times more powerful, so a two times price increase would still be a bargain.

cheers, Tom
<font size=-1>[ This Message was edited by: astroman on 2003-03-04 16:40 ]</font>
What is very very sad though, is that people will start believing the hype, and then you'll *have* to be operating at 96kHz. Nothing to do with quality though, it's just so you can say you work at 96kHz and not the old time, out of date, crappy 44/48 rate. 
Alanis Morissette's "Jagged Little Pill" was recorded/edited/mixed on old 16bit blackface ADAT's with the stock converters. (They were running through a nice Euphonix console though). Sounds fine to me!

Alanis Morissette's "Jagged Little Pill" was recorded/edited/mixed on old 16bit blackface ADAT's with the stock converters. (They were running through a nice Euphonix console though). Sounds fine to me!
I assume they did it surreptitiously on purpose because they met some technical and commercial difficulties that they believe can be resolved only by making users life worse, wich is not their first problem!@grok - why do you assume, that they did it on purpose? could you think for a moment that they met some technical difficulties, instead of thinking how to make users life worse?


Shame! Shame!
I said.
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<font size=-1>[ This Message was edited by: Grok on 2003-03-05 08:40 ]</font>
Hey Bassdude, why doesn't Creamw@re sells 4 tracks cassettes recorders? I'm sure you'll buy them coz you know it sounds fine!On 2003-03-04 17:02, bassdude wrote:
What is very very sad though, is that people will start believing the hype, and then you'll *have* to be operating at 96kHz. Nothing to do with quality though, it's just so you can say you work at 96kHz and not the old time, out of date, crappy 44/48 rate.
Alanis Morissette's "Jagged Little Pill" was recorded/edited/mixed on old 16bit blackface ADAT's with the stock converters. (They were running through a nice Euphonix console though). Sounds fine to me!
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<font size=-1>[ This Message was edited by: Grok on 2003-03-04 17:55 ]</font>
About samplerate: I think much depends on the amount and kind of processing.
For recording, it does not make a big difference. For synthesis and heavy processing though, it does make a big difference. Try creating high pads with lots of reso on different samplerates. Or make naughty filtered basslines, or use some oscillators. Bassdude, I think most of her tracks' processing was done on great analog gear we can't afford.
As most of us don't use 96, CW still got us their best filters in Minimax.
at0m.
For recording, it does not make a big difference. For synthesis and heavy processing though, it does make a big difference. Try creating high pads with lots of reso on different samplerates. Or make naughty filtered basslines, or use some oscillators. Bassdude, I think most of her tracks' processing was done on great analog gear we can't afford.
As most of us don't use 96, CW still got us their best filters in Minimax.
at0m.
Grok, you've lost me here....On 2003-03-04 17:49, Grok wrote:
Hey Bassdude, why doesn't Creamw@re sells 4 tracks cassettes recorders? I'm sure you'll buy them coz you know it sounds fine!
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@Atomic, yes you are right of course, I am speaking purely from a recorded audio point of view. I'm one of the few here that use Pulsar systems for audio production only, and not synthesis.
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