I am particularly interested in good Lo/Hi pass filters.
I have been using Wolf's Spectrum EQ lately and must say its delicious.Sweep sounds like a Neve.
What are your opinions on the current EQs/Filters for Scope?
How do they differ?
How and why do you favour one over the other?
Does anyone use "built in" EQs for Pulsar?
Thanks for your views
What's your best Filter/EQ
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Music Manic
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FrancisHarmany
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I use Interpole on several Prowave presets ( Insert FX rack ), as I can do some really nice filtering and specaial LFO treatments.
For EQ'ing I have had a great new friend from DAS. The mid / side DynaPara.
I initially used it on sampled content only, where it added such presence and control to libraries where I thought improvement was needed. But it seems as though the separation of the " psuedo " dual signals in the CW B2003's Leslie emulation needed a little push. Fuckin' A,....DynaPara can seperate frequencies on the mid and side chain so effectively, I actually thought I had two signals coming from the B2003.
I would love to use Wolf's Spectrum, and will add that to my purchase from him of the 32 channel mixer, and Kompressor when they become available.
I liked the way you described the sweeping abilities of a Neve counsel. I was fortunate enough to record w/ one in Lake Tahoe. Donna Summer sold her mountain top Castle, literally, and had an amazing studio included in it, w/ a Neve VR 60. I really miss that console and engineer. We used those shoebox sizes 1GB HDD's w/ ProTools 1.0 back then. Back when Macs actually ruled. The console sounded so sweet, and needed very little outboard gear, other than a 2" 2 track Otari, and several ADAT's from Alesis.
For EQ'ing I have had a great new friend from DAS. The mid / side DynaPara.
I initially used it on sampled content only, where it added such presence and control to libraries where I thought improvement was needed. But it seems as though the separation of the " psuedo " dual signals in the CW B2003's Leslie emulation needed a little push. Fuckin' A,....DynaPara can seperate frequencies on the mid and side chain so effectively, I actually thought I had two signals coming from the B2003.
I would love to use Wolf's Spectrum, and will add that to my purchase from him of the 32 channel mixer, and Kompressor when they become available.
I liked the way you described the sweeping abilities of a Neve counsel. I was fortunate enough to record w/ one in Lake Tahoe. Donna Summer sold her mountain top Castle, literally, and had an amazing studio included in it, w/ a Neve VR 60. I really miss that console and engineer. We used those shoebox sizes 1GB HDD's w/ ProTools 1.0 back then. Back when Macs actually ruled. The console sounded so sweet, and needed very little outboard gear, other than a 2" 2 track Otari, and several ADAT's from Alesis.