Can Scope do a lush pad like this?
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Can Scope do a lush pad like this?
I'm starting to consider selling my Andromeda, either to build up a Scope system or replace it with a Bowen (hardware) Solaris. Can either of them do a lush pad like this? I haven't heard anything like this from a softsynth yet.
http://home.earthlink.net/~synthetic/PWM_pad.mp3
If I could make that sound with Scope then I could hock the Andromeda to fund a 15-DSP card to run Solaris with style.
http://home.earthlink.net/~synthetic/PWM_pad.mp3
If I could make that sound with Scope then I could hock the Andromeda to fund a 15-DSP card to run Solaris with style.
- Mr Arkadin
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Yeah, I probably won't part with it either. And I'm saving for a Voyager. I guess I haven't fully signed on to the Scope mania.
Sure, it's a simple 2-osc synth pad. Each oscillator has its own LFO doing PWM, but there are a bunch of synths that can do that. The character, though, is what I'm asking about. The lush, warm velvet that makes you want to weep in the rain. The thick leather coat that keeps you toasty by the ocean at night. It's got soul. It's a musical instrument, not a bunch of tubes.
Sure, it's a simple 2-osc synth pad. Each oscillator has its own LFO doing PWM, but there are a bunch of synths that can do that. The character, though, is what I'm asking about. The lush, warm velvet that makes you want to weep in the rain. The thick leather coat that keeps you toasty by the ocean at night. It's got soul. It's a musical instrument, not a bunch of tubes.
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really!?synthetic88 wrote:Nope, all-analog signal path. VCO, VCF, VCA.
so tuning drifts and there are no presets?

or is it digitally controlled?
*edit* ok, did some searching(i'm not a synthesist). it seems to be some sort of hybrid. real oscillators with some kind of programmable digital routing/path(so there are dsps involved). although i've heard pads in scope that equalled the example shown here, i think i'd hold on to that. the comment about it being an instrument not just a bunch of circuitry makes sense to me. every instrument will have it's own character, which is probably enough in itself reason to keep the keyboard.
orion?, pro 12
if you fiddle around with the oscillators etc...in orion, pro 12 or minimax, even miniscope synths, you can arrange it, but no, it takes a bit of work to get that warmth, for some reason its not the easiest thing to get in scope, like even exs analog plug does a great warm pad, and ulitmate sound bank romplers.
Andromeda is a great synth for pads, no doubt about it. It is also a great live synth also with all of its features, and the totally necessary ribbon controller.
But synthetic obviously knows its Achilles heel is the lead / mono sound. Most hybrids achieve their fatness through polyphony. The Voyager would be a perfect companion for that. I always believe that lead synth licks should be done with hardware analog designed for that particular application. Just like Solaris, the A6 can make a wide pallette of pads. But its monophonic sounds remind me of stacked sounds.
My Oberheims did it all, but lack the depth of a multi Oscillator based design like Solaris, hence the need to keep the SE-1x. I make my lead patches layer w/ DSP based designs, and add them w/ similar envelopes, which makes it seem like I'm adding different Oscillators to an already obese sound.
Since I have joined the forum I have come to the conclusion that hardware analog cannot live w/o Scope, and Scope cannot live w/o hardware analog. The two extend each others capabilities to new heights IMO.
A similar example where the two can no longer survive seperately is when I played the B2003 through my Pro 3t rotary cabinet and loved it immediately, but then ran it in conjunction w/ the B2003 Leslie emu through a seperate output w/o rotary added. The potential was instanly obvious as I matched the doppler effects speed, then slighty overlapped the speed to widen the realistic / virtual doppler. Then had C3 vibrato on one instance, and C1 on the other. The variations and potential increased dramatically, but my sounds are definately signature, and hybrid, but a very FAT hybrid.
I hate to see anyone depart from an A6. 88, you should wait till you hear the Moog while having an Andromeda pad run it's course. I think you might change your mind. Solaris and Voyager would be killer also. But that synth is expected to grow annually like the stock market, so it's a no brainer for me.
Brotha' Man Husker,
Your pads are probably begging for a monphonic companion. I'm sure family is first for you, but check out how ridiculousy cheap the SE-1x's are on ebay. I am sure once you hear the A6 next to a dedicated monophonic analog, you might also agree. I bought a spare 2 years ago, and have not needed it yet, but for 300 USD it's a steal.
I Enjoy Bouncing Ideas With You Guys,
But synthetic obviously knows its Achilles heel is the lead / mono sound. Most hybrids achieve their fatness through polyphony. The Voyager would be a perfect companion for that. I always believe that lead synth licks should be done with hardware analog designed for that particular application. Just like Solaris, the A6 can make a wide pallette of pads. But its monophonic sounds remind me of stacked sounds.
My Oberheims did it all, but lack the depth of a multi Oscillator based design like Solaris, hence the need to keep the SE-1x. I make my lead patches layer w/ DSP based designs, and add them w/ similar envelopes, which makes it seem like I'm adding different Oscillators to an already obese sound.
Since I have joined the forum I have come to the conclusion that hardware analog cannot live w/o Scope, and Scope cannot live w/o hardware analog. The two extend each others capabilities to new heights IMO.
A similar example where the two can no longer survive seperately is when I played the B2003 through my Pro 3t rotary cabinet and loved it immediately, but then ran it in conjunction w/ the B2003 Leslie emu through a seperate output w/o rotary added. The potential was instanly obvious as I matched the doppler effects speed, then slighty overlapped the speed to widen the realistic / virtual doppler. Then had C3 vibrato on one instance, and C1 on the other. The variations and potential increased dramatically, but my sounds are definately signature, and hybrid, but a very FAT hybrid.
I hate to see anyone depart from an A6. 88, you should wait till you hear the Moog while having an Andromeda pad run it's course. I think you might change your mind. Solaris and Voyager would be killer also. But that synth is expected to grow annually like the stock market, so it's a no brainer for me.
Brotha' Man Husker,
Your pads are probably begging for a monphonic companion. I'm sure family is first for you, but check out how ridiculousy cheap the SE-1x's are on ebay. I am sure once you hear the A6 next to a dedicated monophonic analog, you might also agree. I bought a spare 2 years ago, and have not needed it yet, but for 300 USD it's a steal.
I Enjoy Bouncing Ideas With You Guys,
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The CS80V 1.6 can do those lush pads......ftp://ftp2.arturia.com/samples/demoweb/CS80V_demo.mp3
I own a real CS80 (1978) and the Cs80V is scary close to it.......
The CS80 is much more Analog than the Andromeda...
you can individualy detune the oscillators in rotation and detune panel 1 and panel 2 from each other....The same is true in the CS80V software...
It also is responsive to polyphonic aftertouch like the original...........

I own a real CS80 (1978) and the Cs80V is scary close to it.......
The CS80 is much more Analog than the Andromeda...
you can individualy detune the oscillators in rotation and detune panel 1 and panel 2 from each other....The same is true in the CS80V software...
It also is responsive to polyphonic aftertouch like the original...........

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