Wow I'm Tripping,
I forgot about audio into Scope. A fellow Pulsarian who uses Studio Electronics Analogs told me about how he runs the analog synth through Scope. I never got around to trying anything but a s/pdif'd Lexicon MPX-550, which worked very well on the Giga channels I run through the STM1632. Tonight I tried my Line 6 Echo Pro in the master slots. Holy shit!! Just send the CC# and time your licks right and you have live reversing of all your mix, not just the analog solo but anything coming out of the Mix outs. This is just more proof of how Scope rules the free world. I could hardly pull this off in a studio a few years ago, much less live. I have been doing this live, but just had it tied to the analogs only. It is so sweet to hear Solaris and the analogs in reverse. Life is good.
That Dog Can Hunt!!!
_________________
Jimmy V.
P.S. Leads sound great but foresight is needed w/ good subdivided timing, but the pads, and especially the mellotron stuff are just fuckin' scary.
<font size=-1>[ This Message was edited by: scope4live on 2006-05-29 22:54 ]</font>
Reverse The Whole Mix Live
yeah mate. and if you wire the line6 with zlink/adat/spdif, you can load the effects others/external effect s, assign the line6's i/o to it, save it under the name "line 6" (or anything else to your liking, i like names involving goblins) and you line 6 can sit right next to any other scope effect/module. you can even load it as insert in mixers and other gimmicks. it's really fun.