Kick compress + compress + compress + ......

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dejanilly
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Post by dejanilly »

What you think of multiple compression of kick drumz.i mean: to compress and export to
audio then do the same couple of times???
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astroman
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Post by astroman »

just do it :grin: (according to J.B. Tribout)
it's not uncommon, recently someone bragged in a production report about their 'most expensive 909 in the world' (3 outboard compressors if I remember right), but even KimGR prefers multiples from time to time to not miss a thing :wink:
Each device emphaszies it's own aspect of sound, if you don't take it too far.

cheers, Tom
dejanilly
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Post by dejanilly »

thanx man
hubird

Post by hubird »

to add something different: I once took a bassdrum sample from a 12" dance production, and put it in my mix.
After the usual mastering process the bassdrum wasn't as great as it was originally...
Be carefull, use your ears, if necessory keep certain stuff outside the (pre-) compressing processes.
AND: since I discovered the blessings of the PSP Transient designer I tend to push the attacks of some tracks a bit, to bring them in front of the speakers.
Even after heavy mastering compressing the profits of this in the endmix is more than good :smile: , so the picture is rather complicated.
Astro quite rightly emphasizes the different character of different compressors (including Vintage warmers I would say), and in fact I mostly end up with different compression types (including vintage warming tape saturation types), but compressing several times with the same compressor...hmm, I don't know...dubbelcheck what you get at least, specially watch the punch...
cheerz :smile:
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garyb
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Post by garyb »

sometimes light compression done in stages sounds better than heavy compression all at once.........
hubird

Post by hubird »

you could be right, I just don't see how this could work :smile:
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garyb
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Post by garyb »

theoretically,it can't.

but in the real world of imperfect devices,it can. :wink:
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valis
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Post by valis »

3 compressors with gentle settings (getting more progressive in the chain) in a row is an often used in both mastering and to achieve *very* transparent compression. The reason for this is that no one device is going to overreact, so they tend to even out and with the right gear can also gently 'warm' the signal.
samplaire
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Post by samplaire »

Good idea! Sometimes you know a thing but somebody has to say it loud! Have to try double or even tripple compression :cool:
Michu
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Post by Michu »

On 2004-02-18 03:17, valis wrote:
3 compressors with gentle settings (getting more progressive in the chain) in a row is an often used in both mastering and to achieve *very* transparent compression. The reason for this is that no one device is going to overreact, so they tend to even out and with the right gear can also gently 'warm' the signal.
i think this is what RNC's Very Nice mode is about.
just because you cannot imagine something that doesn't exclude it from reality.
Immanuel
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Post by Immanuel »

You get soft knee compression, if you take 2 hard knee compressors and line them up.
hubird

Post by hubird »

thanks Immanuel, if this is true it says to me, be carefull with unusual use of (the same) compressors.
On the other hand, Valis could have a point saying the use of the same compressor several times prohibits overreacting.
Tricky bussiness.
Immanuel
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Post by Immanuel »

I must add, that it depends on how closely the 2 compressors kick in. They need to start acting close - but not too close - to each other.
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valis
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Post by valis »

On 2004-02-18 06:11, Michu wrote:
i think this is what RNC's Very Nice mode is about.
Yep, I have an rnc 1173 and when i enable "very nice" it 'simulates' the reaction of 3 compressors in its dsp (digital control, analog path). :smile:
hubird

Post by hubird »

thanks Valis, about the RNC compressor (which I didn't knew), I checked http://www.fmraudio.com/ , but I couldn't find anything like you say here about a three stage compressing technic.
I believe you, but I just would like to read more about it...you know where?
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Post by Eric Dahlberg »

Another way to use multiple compressors - especially when mixing a live drummer -is to use the first one to control dynamics & the second one to shape the actual sound. In this way you can get a more consistent level & attack.
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Post by Michu »

just because you cannot imagine something that doesn't exclude it from reality.
hubird

Post by hubird »

thanks michu, stupid I missed it (was late already I guess).
Convinced now about multi chain compr.
Thanks a lot guys, specially Dejanilly for putting it on the table!
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valis
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Post by valis »

Thanks for catching that michu =]

Incidentally I've only got 1 rnc atm but my next purchase is probably going to be a 2nd RNC with the 'funk logic' rackmount that gives u a black front to boot (stock rnc is white):

http://store4.yimg.com/I/mercenary-audio_1778_6784640
dejanilly
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Post by dejanilly »

Hi
Do you guyz mean multiple Compressor chain at once with different compressor settings, or like i sad before with export to audio and then add another compressor(with diferent settings) and
do that again and again????
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