How useful is TripleDAT?
Still looking at options...(which means the $$ are not yet in my pocket). Can the TripleDAT be used in the same manner as Live? Is it a basic audio sequencer within the SFP environment? I've read the Creamware blurb but I don't fully understand it's application. Would I still need to master to something like VDAT?
I have never tried it, but tripleDAT is probably very dated, though I get the impression that many people on this board swear by it. I will leave them to answer. For my case, I will not congress to using Win ME again.
For mixdown I would suggest the STS3000 or above instead as it can record in stereo while the VDAT only records mono tracks. The Creamware samplers can also be triggered to record by incoming sound.
For mixdown I would suggest the STS3000 or above instead as it can record in stereo while the VDAT only records mono tracks. The Creamware samplers can also be triggered to record by incoming sound.
Mikka, Triple has a completely different focus than Live.
It's main advantage is simplicity and reduction to essential editing, which makes it very easy and ergonomic to operate.
It's a production- and not a performance tool.
Due to 16-bit file format and 16 tracks only it's certainly limited, but may still be useful on some material. But you have probably something else in mind
cheers, Tom
It's main advantage is simplicity and reduction to essential editing, which makes it very easy and ergonomic to operate.
It's a production- and not a performance tool.
Due to 16-bit file format and 16 tracks only it's certainly limited, but may still be useful on some material. But you have probably something else in mind

cheers, Tom
Thanks for that tip Garyb. I'll have a good look at that one. These comments have been very useful. I'm hoping they'll save me a stack of time by allowing me to focus on learning programs I'm likely to stick with.(and $$)
<font size=-1>[ This Message was edited by: Mikka on 2003-08-01 01:20 ]</font>
<font size=-1>[ This Message was edited by: Mikka on 2003-08-01 01:20 ]</font>
Mikka:
If you mix down to a STS in 16 bit/44.1KHz it s hould play fine in a CD player when burnt on a CDR. However I do not know how it would sound in terms of dithering. I would have listened to it first at least. If it sounds strange, record with a higher bit-rate and dither down in some other application.
But I guess it will be fine since STS is actually recording and sampling a sound-source on its own, and not working with an existing file.
If you mix down to a STS in 16 bit/44.1KHz it s hould play fine in a CD player when burnt on a CDR. However I do not know how it would sound in terms of dithering. I would have listened to it first at least. If it sounds strange, record with a higher bit-rate and dither down in some other application.
But I guess it will be fine since STS is actually recording and sampling a sound-source on its own, and not working with an existing file.