When listening to the presets give the long delays a moment to loop so you can hear the full effect.
Although it uses only two drum synth modules it often sounds like four or more thanks to the modulation. Definitely not our average drum sound
The mixer gives the original and processed sound of each drum synth. These are routed to a single out for immediate convenience, but you can easily just assign the four signals to their own output for individual processing. With a little reverb some of these can assume gigantic industrial size, or weird ambient.
It's also a lot of fun just to twiddle the knobs on a simple pattern and see how radically things can change !
Well, at least that's what I think
Hope you like it.
INSTRUCTIONS:
* Each drum synth has identical circuitry.
* One feed (of each drum synth) goes to the long delay, then to the mixer. The speed of each long delay is governed by the first "frequency divider" speed underneath the delay.
* Another feed goes to the pitch delat, then a multimode filter, then to the mixer.
* Each multimode filter has two modulators. The first is from the LFO directly beneath. The second is from the other drum synth's LFO. The speed of the LFO is regulated by the song BPM, but is also effected by the frequency divider directly below. keep to even numbers for predictable results.
* Both pitch shift delays are modulated by the LFO under the pattern sequencer. The frequency-multplier directly under the LFO changes the speed.
* Delay time of the pitch shift delay is controlled by the last value in the frequency divider above the module.
_________________
Where I rest . . .
<font size=-1>[ This Message was edited by: Spirit on 2002-11-30 21:46 ]</font>
<font size=-1>[ This Message was edited by: Spirit on 2002-12-01 10:59 ]</font><BR><BR><a name="planetz-fileimage"></a><IMG SRC="http://www.planetz.com/Pulsar/files/mod ... ium-90.jpg" BORDER="0">
Still, doesn't make much difference.