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Yes, indeed! That's why I bought the collection.Mr Arkadin wrote:The Synclavier one interests me, the analogue ones, not so much.
Marco wrote:Hallo Sounddesigner and others, I agree, personally the most VST synthesizers aren't very interesting to me. It is software, and not really touchable, okay I have a mouse in my hand, very excited about this? But all the sample based vst stuff especially the spectrasonics keyscape and Omnisphere 2 is incredible stuff no other hardware synthesizer or even scope can not replace. So I think it is the best to have that all together and use it play it feel it. I think nowadays we live in synthesizers heaven. At the end it depends on yourself what you squeeze out of it! Just do it, no matter with what, but do it.
Very good point, yes, I guess this is my main reason, it fits what I do very well. And of course, the fact that I cannot compare them with the real thing because I don't have or own them, it sure helps tooyayajohn wrote:I truly believe though that it's what one does with an instrument not the quality of the instrument that really matters. You don't need to seek others opinions if you are inspired by what you have in hand.
A good piano and the equipment needed to record it plus a nice room (perhaps a Bricasti reverb) is going to be way more expensive than most can afford. I'm very lucky that my cousin just gave me a Grotrian-Steinweg upright, probably the best upright ever made. I like that it's quiet, responsive and not loud. The sound is so pure.Marco wrote:I guess this is like having a real grand piano and a super sampled Piano. There will always be a big difference, but no one will ever believe me. This is no real problem, as long as you don't own a real grand piano in your house.
Don't get crazy by having it not. Just be inspired by the stuff you really own.