astroman wrote:of course a virtual one - what did you expect anyway ?
as announced
here
Respect and special thanks to Alfonso for cyber-soldering a
non-me-too-don't-wanna-fake-anything device
as far as I'm concerned this seems to be the most transparent guitar (amp)processor I've ever sent a pickup through. Wow. Stunning.
You can just dial in
your tone and you can do it very precise without having to deal with tiny knob tweaks.
Just one question left...
There's an additinal out circumventing the speaker sim
Wouldn't it make sense to have a similiar individual channel sub-out ?
For example for dedicated fx-processing of only the clean or crunch channel ?
cheers and congrats, Tom
I'm very happy of your words....this project started around my need of an amp dsp device that wouldn't punish my only two but really special electric guitars, a self built strat with original 70's pickups (I owned the original strat but the neck was destroyed and i didn't like the heavy body ) and a figured top Gibson LesPaul with Bareknuckle Mules....those two axes have a really beautiful array of tones and most of the times I've put them in some sort of emulation I could probably hear the emulation but I lost the guitar.
The pre speaker output is for live use, at least this is what i've imagined....if I want to play with an amp on stage, like my Marshall TSL 100 or my heavily modded Hot Rod Deluxe (V30 speaker, Blackface mods) I would like to be able to get with Mojo at line level into their power amp through their fx loop return.
Regarding the possibility to have even more I/Os...well, like every new feature it can be of some interest, but basically it is not really practical for live use and you can well overcome this need in the studio simply by using the Mix knob or even loading two Mojos....the device is pretty merciful on dsp. I think that one of the advantages of having an amp in the dsp domain is that you can have some ideal conditions that allow for things impossible with the real amps: some effects like wahs are much better working before the guitar sound hits the amp first stage, that is quite the same in both worlds, but modulation and time based effects are ideally at their best in the latest position that you can achieve, after any form of saturation and breakup. In the real hardware world there is a compromise...you have an fx loop between the preamp and the power amp. But is very well known that those fx can suffer and interfere with the breakup of the power tubes....
Having the possibility to have delays or choruses etc. even after the speaker effect on the sound is something that some guitarists can only dream of.
We Scope users are lucky.....
Anyway....your suggestion is something that at a certain point crossed my mind too, but for now I decided not to go to much into complexity...it already has an additional output...let us see if it can satisfy everybody like it is now...I'll be very careful to opinions.
