I usually use a Channel Strip w/ a gate to knock off reverb tails and it works really well as I can retain the effect w/o muddy'ing my mixes.
But I don't care for the way it clips delays.
I also tried BBII's Slapback and while it is an excellent effect I can't get the sound I want.
I tried different HP filters and they still bleed a little too much for my taste.
Any suggestions on a different approach?
I heard it done perfectly years ago on hardware but can't remember what type of effect was used. It was not an EQ, or a gate either.
You can hear it done on several old recordings like Pink Floyd and Yes.
The synth's effect was up front but would die off perfectly into the mix?
Thanks,
JV
Need To Clip Off An Effect.
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- Joined: Mon Jul 29, 2002 4:00 pm
- Location: Bergen, Norway
I am playing w/ VDAT off and on tonight too. I might even be able to trab sfer some ancient S-VHS tapes mastered on an Otari deck !!
Guess what I think <Shroomz>ls HP/LP Filter might work. It's extreme amounts might be what the doctor ordered. I shall try it and get back on it's results.
I have 3 full Scope days before I fly out to the Bay Area.
Thanks For Your Modular Reply Brotha' Man Piddi.

Guess what I think <Shroomz>ls HP/LP Filter might work. It's extreme amounts might be what the doctor ordered. I shall try it and get back on it's results.
I have 3 full Scope days before I fly out to the Bay Area.

Thanks For Your Modular Reply Brotha' Man Piddi.

you could get really fancy, and modulate the feedback level of the delay. and/or wet/dry mix
take the track you are delaying (or the live source)
delay it by (optional to get a couple of full level delays)
put an envelope follower on the delayed version with a longish decay
use the envelope from the envelope follower to modulate the feedback level and/or wet/dry mix
good luck doing this with UAD, RME, or yamaha fun factory
Back in the day of the Pink Floyd and Yes heyday , there was an actual guy riding the sliders on the mixer to make the delay sound just so.
take the track you are delaying (or the live source)
delay it by (optional to get a couple of full level delays)
put an envelope follower on the delayed version with a longish decay
use the envelope from the envelope follower to modulate the feedback level and/or wet/dry mix
good luck doing this with UAD, RME, or yamaha fun factory
Back in the day of the Pink Floyd and Yes heyday , there was an actual guy riding the sliders on the mixer to make the delay sound just so.
Last edited by Neutron on Fri Feb 15, 2008 8:29 pm, edited 3 times in total.