Well, one very good reason is that we have John Bowen himself working on Prophet remakes and many extremely talented people creating incredible devices that are not available in VSTi or DXi format. If you look around, you can find a Pulsar counterpart for major anologue synths (like those you mensioned) anyway, and plus those that are Pulsar original.
The DSP issue is simple... many VSTi and DXi instruments get mega polyphony with less processing power because they use simpler calculations and probably lots of workarounds. You can hear the difference. Pulsar synths may use lots of DSP, but that's why they sound better. And I'm talking scientific superiority. (though there probably are exceptions)
But it would be good if we had an option of changing the quality:polyphony ratio on the Pulsar synths. Sometimes short phrases and weaker lines don't need the mathematical accuracy and sonic quality that takes up so much of the DSP power. (having to sample them to save dsp power is a hassle) Getting 1 note using all of Pulsar II's DSP is.. well, probably mega high quality but also mega impractical. I think many feel the same way about this. :>
So the Pulsar platform does have its short comings... Yeah, I'll give that one away. I tend to think of it this way.. Back then, when people spent thousands of dollars just to get monophonic synths, along with the new sounds, they were introduced into a way of thinking. Voice efficiency. If each voice costed you 2 grands, you'd better make each one count. It's sort of like arranging for acapella. Each voice has to be efficient. And just as Pulsar recreates analogue synths with extreme precision, it naturally recreates the "voice efficiency" bit. You get to feel what it was like in the 70's and early 80's. But instead of spending cash per voice, you spend DSP.
Even if you got a bunch of real analogue synths, you'd be stuck in the same dilemma. So don't think you're getting a bunch of soft synths. Pulsar synths are real... half hardware, half software, but they're just like real analogue instruments. No mega polyphony, no exaggerated numbers, no cheap tricks to make them sound better. They're real, with all the restrictions.
Ok, so what if people actually did conversions from VSTi and DXi? Well, of course they'd have to rewrite the whole thing.. and during that process, would have to refine the code so the synth lives up to the Pulsar communitie's expectations.. Put a synth through a process like that, and you're still going to end up with lots of calculations that require lots of DSP. In the end, you'd end up with a synth with 5 note polyphony max that's super high quality. Not much different from most of the Pulsar synths that are out there already. Don't you agree?
<font size=-1>[ This Message was edited by: kensuguro on 2001-12-29 05:44 ]</font>