R.I.P Keith Emerson
Posted: Sun Mar 13, 2016 10:04 am
Keith Emerson has left us. He died on March 10th, aged 71. I am sure other scope users are influenced by Keith, so please join me on this thread and share your thoughts and gratitude of the composer, performer and his music.
Although it has been a while since I last time put on one of his records, I spent a great deal of my youth in the eighties listening to Emerson Lake & Palmer, The Nice, and to Emerson’s film scores available on records. I remember my first encounter with ELP. I got the album “Trilogy” on a trip abroad, aged 14. The intro to “The endless enigma” blew me away. This music were new references to me as to technical skills, harmonies and sonic textures. I remember how I later managed to transcribe “Hoedown”, from the same album, which was one of the first tunes I coul play really fast on my first synth, a brand new 4 op. Yamaha DX21.
Later, “Pictures at an Exhibition” was added to my record collection, and the Moog addiction was a fact. At that time I knew little about the distinction between a Moog modular and a Minimoog, but Keith’s handling of the Moog modular on that album became a reference to me of how proper music should sound. I remember how I attempted to make a saw lead sound on the DX 21 to copy Keith’s Moog solo on the track “The Old Castle” (no 5. Side A).
Now, “Brain Salad Surgery” is perhaps ELP’s master piece. The grand “Karn Evil 9” is an outstanding musical effort. However, on tracks such as “Benny the bouncer”, Keith shows how great a pianist he was within the blues idiom. I remember how I made futile attempts on copying his piano solos on that track.
Having bought the albums in the “wrong” order, it wasn’t until later I came across their debut album Emerson, Lake & Palmer, which features the famous Moog solo on “Lucky man”.
The "Emerson, Lake & Powell" album came out in 1986, and this album I got hold of shortly after its release. It sounded quite disappointing to me, I remember, since the virtuoso parts were fewer, and the synth textures were more towards what could be heard elsewhere. “Lay down your guns” does feature some great piano parts though, and the mighty “Mars, the bringer of war”, by Gustav Holst, is a wise track to record as it suits Cozy Powell’s drum blasts very well.
I found at the local record store the album “The Nice, Greatest hits”. The opening track is their version of Sondheim’s “America”, blended with quotes from the 2nd amendment. A powerful expression of the protest movements of the US in the late sixties, a refined version of Hendrix version of Star sprangled banner, perhaps?
Skipping past Works I & II, Tarkus, and the live album “Welcome back my friends …”, which are all great, I think it is worth mentioning the many film scores he released between 1980-86. On his 1986 soundtrack album “Best revenge” there is a beautiful piano piece called “Dream runner”. This was the first proper piano piece I managed to play. I spent much of the summer of ‘88 to transcribe it from a cassette tape and rehearse it in order to have 1 single piece on my repertoire upon entering music studies at upper secondary school. This piece I am now scoring in Finale to pass it on to my daughter who also plays the piano.
I hope our sons and daughters will be curious and delve into the musical universe of Keith Emerson. It surely is a rewarding experience.
R.I.P
Although it has been a while since I last time put on one of his records, I spent a great deal of my youth in the eighties listening to Emerson Lake & Palmer, The Nice, and to Emerson’s film scores available on records. I remember my first encounter with ELP. I got the album “Trilogy” on a trip abroad, aged 14. The intro to “The endless enigma” blew me away. This music were new references to me as to technical skills, harmonies and sonic textures. I remember how I later managed to transcribe “Hoedown”, from the same album, which was one of the first tunes I coul play really fast on my first synth, a brand new 4 op. Yamaha DX21.
Later, “Pictures at an Exhibition” was added to my record collection, and the Moog addiction was a fact. At that time I knew little about the distinction between a Moog modular and a Minimoog, but Keith’s handling of the Moog modular on that album became a reference to me of how proper music should sound. I remember how I attempted to make a saw lead sound on the DX 21 to copy Keith’s Moog solo on the track “The Old Castle” (no 5. Side A).
Now, “Brain Salad Surgery” is perhaps ELP’s master piece. The grand “Karn Evil 9” is an outstanding musical effort. However, on tracks such as “Benny the bouncer”, Keith shows how great a pianist he was within the blues idiom. I remember how I made futile attempts on copying his piano solos on that track.
Having bought the albums in the “wrong” order, it wasn’t until later I came across their debut album Emerson, Lake & Palmer, which features the famous Moog solo on “Lucky man”.
The "Emerson, Lake & Powell" album came out in 1986, and this album I got hold of shortly after its release. It sounded quite disappointing to me, I remember, since the virtuoso parts were fewer, and the synth textures were more towards what could be heard elsewhere. “Lay down your guns” does feature some great piano parts though, and the mighty “Mars, the bringer of war”, by Gustav Holst, is a wise track to record as it suits Cozy Powell’s drum blasts very well.
I found at the local record store the album “The Nice, Greatest hits”. The opening track is their version of Sondheim’s “America”, blended with quotes from the 2nd amendment. A powerful expression of the protest movements of the US in the late sixties, a refined version of Hendrix version of Star sprangled banner, perhaps?
Skipping past Works I & II, Tarkus, and the live album “Welcome back my friends …”, which are all great, I think it is worth mentioning the many film scores he released between 1980-86. On his 1986 soundtrack album “Best revenge” there is a beautiful piano piece called “Dream runner”. This was the first proper piano piece I managed to play. I spent much of the summer of ‘88 to transcribe it from a cassette tape and rehearse it in order to have 1 single piece on my repertoire upon entering music studies at upper secondary school. This piece I am now scoring in Finale to pass it on to my daughter who also plays the piano.
I hope our sons and daughters will be curious and delve into the musical universe of Keith Emerson. It surely is a rewarding experience.
R.I.P