Japan Earthquake anniversary track
Posted: Sun Sep 18, 2011 8:12 pm
A friend of mine is working on a 1 year earthquake anniversary (are these things called anniversaries?) project. I did a tune for a short video. It's a simple but smart idea of having people send in photos of themselves with their arms stretched out, and the images get processed so everyone's hands connect to create a huge band of people. The result displays on a website I think. The actual anniversary is in March so I guess we'll see the final results then.
The tune is a simple piano + strings arrangement. I played in the piano part without click, an then played in all the strings parts later. The point was to only "build" in one particular section to sync with the video. It was kind of challenging to build within such a short section of the song. But overall, I think the dynamics of the strings section went pretty well. There are several places where the looping on synful orchestra's violin stands out, but can't seem to be able to do anything about it... (unless I decouple vibrato from expression, and go back in and edit every track.. ughh)
In my mind, the solo strings should be playing with a more relaxed portamento.. maybe I'll go back in and try to put the controls into make that happen, but seems like too much trouble. Harmony wise, you can hear clearly how I'm influenced strongly by Debussy and other romantic composers. My rubato is mostly based on breath (for phrasing) and also a bit of "swallowing" the breath for pauses and to create emotional momentum.
Emotionally, I was going for very gentle, kindness. And then there's a lot of complex emotions I have for Japan's situation which I can't put into words that unconsciously transferred into the tune.
Piano: Pianoteq C3 close mic
Strings: Synful Orchestra (solo violin, solo violin, violin 2 sect, viola sect, solo cello, bass sect)
Drum: Independence 3 soundtrack drum kit
Voxengo Pristine Space reverb + impulse from voxengo impulse modeler. Tho believe it or not, the piano is nearly dry. The long tail is all sustain and body resonance. I rediscovered how beautiful Pianoteq's C3 piano sounds.
I also used Satson on all tracks and busses. It's subtle, but cleared up the sound.
The tune is a simple piano + strings arrangement. I played in the piano part without click, an then played in all the strings parts later. The point was to only "build" in one particular section to sync with the video. It was kind of challenging to build within such a short section of the song. But overall, I think the dynamics of the strings section went pretty well. There are several places where the looping on synful orchestra's violin stands out, but can't seem to be able to do anything about it... (unless I decouple vibrato from expression, and go back in and edit every track.. ughh)
In my mind, the solo strings should be playing with a more relaxed portamento.. maybe I'll go back in and try to put the controls into make that happen, but seems like too much trouble. Harmony wise, you can hear clearly how I'm influenced strongly by Debussy and other romantic composers. My rubato is mostly based on breath (for phrasing) and also a bit of "swallowing" the breath for pauses and to create emotional momentum.
Emotionally, I was going for very gentle, kindness. And then there's a lot of complex emotions I have for Japan's situation which I can't put into words that unconsciously transferred into the tune.
Piano: Pianoteq C3 close mic
Strings: Synful Orchestra (solo violin, solo violin, violin 2 sect, viola sect, solo cello, bass sect)
Drum: Independence 3 soundtrack drum kit
Voxengo Pristine Space reverb + impulse from voxengo impulse modeler. Tho believe it or not, the piano is nearly dry. The long tail is all sustain and body resonance. I rediscovered how beautiful Pianoteq's C3 piano sounds.
I also used Satson on all tracks and busses. It's subtle, but cleared up the sound.