Colossus is a powerful sounding EP which has characteristics of an RMI w/ tines,....very hybrid.
Kens 73 is a really nice emulation of a Rhodes.
Celmos Bluewave is the FM EPno once tweaked to use 16 voice polyphony.
So yes a Wurlitzer 200A would round of the DSP choices very well.
One thing I have noticed from years of playing the real thing, and years of playing the real thing sampled, then streamed from a HDD........is that the DSP models that have the velocity option, are unnoticably smooth when playing dynamically.
Sample libraries while sounding good are frustrating when switching between the sample layers. The highest to the lowest is where a dynamic player will select his velocites for a more noticable effect. That's where samplers fall short, as the sound seems apparrently velocity switched.
Scope's DSP based instruments that have velocity are just so much smoother. It comes down in terms of tone, timbre, and volume simultaneously, which I find more accurate than these 16 layers of unusable and wasteful samples.
Could a developer possibly use a Scope made EPno where STS can be combined for the ultimate realism?
Ahh,...just an idea.
I would love a Wurlitzer that's for sure. MCCY's FluLiq does many perfect vibratos to use, and even the B2003 can accept a signal to use their scanner vibrato that is seriously cool.
Here's the vibrato from FluLiq on a Wurly sample, and yes it's a great sample but notice the instrument sounds like another EPno when the lowest velocities are used.
http://www.planetz.com/forums/viewtopic.php?t=24613
Colossus's vibrato is fine and needs no help, but it sounds radical throught the B2003.
http://www.planetz.com/forums/viewtopic.php?t=25039
I would love a Wurlitzer 200A in DSP from either of the 2 talented chaps above.
BTW, I have a couple of Saturn presets which do an excellent Vox / Farfisa w/ LFO style vibrato very well.