Page 1 of 1
Posted: Wed Sep 14, 2005 6:32 am
by Cochise
Hi.
I have to give a solid body to a drone sound I'm trying to patch, so I'm looking for the best way to obtain bass and sub-bass frequencies.
Any advice is really welcome.
Posted: Wed Sep 14, 2005 6:43 am
by hubird
Celmo's Subboost or SubbassBooster Pro, try the demos, they sound fantastic!
Posted: Wed Sep 14, 2005 6:44 am
by hubird
excuse, this is modular related
Posted: Wed Sep 14, 2005 12:25 pm
by darkrezin
Mix in a low sin osc, maybe with a bit of FM. The spectral osc might be good for your purposes too. Or link a Dubsub2 (Wavelength) to the same MIDI channel and feed it into the modular input
Posted: Thu Sep 15, 2005 3:23 am
by Michu
use resonant highpass filter set to low frequency and with decent amount of resonance,
or
take FM operator, set it octave or two below drones pitch, and feed it's FM input with the drone sound
or
take some morphing or spectral osc and pitch modulator with linear modulation (don't remember which one that was exactly
), feed oscs freq input thru modulator, feed modulation linear modulation input with drone, dial FM amount and oscs harmonic content to taste...
btw, HPF and FM stuff works nicely in combination
and of course, imagination is the only limit
Posted: Thu Sep 15, 2005 1:00 pm
by Cochise
Thank you, guys.
I'll patch out something about.
Posted: Sun Mar 19, 2006 2:44 pm
by ds-sound
btw, HPF and FM stuff works nicely in combination
This seems strange, Why would you want to use a HPF if the goal is to have a fat sub-bass...?
Shouldn't you use a LPF?
Posted: Sun Mar 19, 2006 8:18 pm
by wayne
Makes sense to me - it's the res you're looking at.
Posted: Mon Mar 20, 2006 12:09 am
by at0m
Indeed, the HPF will cut away too low -unaudible?- signals, while the resonance amplifies signals just above that. Just like an LPF set to high cutoff frequency and resonance can make a high frequency 'whistle'...
Posted: Mon Mar 20, 2006 11:53 am
by ds-sound
absolutly brilliant.
Thanks!