PlanetZ forums - scopeusers.com

Anyone have any nice chord progressions to improvise over to get the juices flowing? Here are some of mine:
B flat Maj7 --> Dminor7.
BFlat-->C-->Eb-->G
B flat 'on top of' C --> Ab 'on top of' B flat.

I also like having a C major7 chord as the foundation of a groove, and playing the notes from that chord and from B7 for the melody or lead. It seems to work for me - it sounds sort of Arabic/Indian. Hmm.. Jazz....Nice.....

A few of my favorites..

Cmaj7 - Fmaj7 - Em7 - Am7 (continue to your liking)

Hm9 - Gmaj7 - Em Cmaj7 (loop)

I'm also a maj7 man And Xm9.
Usually I use mostly minor chors... they sound.. emotical. A few maj7s (saddest major chord ) is a good spice.

<font size=-1>[ This Message was edited by: spoimala on 2004-01-24 03:55 ]</font>

Take a chord progrssion, such as spoimala's first one, and transpose only the bass down a 5th. It will give you 9b5 chords without thirds in them. The feeling of the tune will tell you whether the chords are minor or major.

_________________
Paul R. Martin - Are we listening?

<font size=-1>[ This Message was edited by: paulrmartin on 2004-01-24 09:56 ]</font>

Hm9? My keyboard won't play that chord. I don't seem to have any H notes. Oh well, it is an old keyboard.

Thanks for the suggestions. I'll have a play and see what I come up with.

<font size=-1>[ This Message was edited by: electronicadub on 2004-01-24 17:00 ]</font>

H is B natural in the german musical language.
B stands for B flat in the same language.

On 2004-01-24 09:55, paulrmartin wrote:
Take a chord progrssion, such as spoimala's first one, and transpose only the bass down a 5th. It will give you 9b5 chords without thirds in them. The feeling of the tune will tell you whether the chords are minor or major.

Are you serious? To my ears this will resut
lt to extremely weird sounding chords.

Btw, isn't the result maj9b5 chords

i've been playing around with going up in minor thirds recently, sounds cool, eg. Fm7, Abm7, Bm7, Dm7... it goes round in cycles and depending on the voicings can sound pretty sweet.
peace

just off the top of my head, I remember going up and down in either fifths, forths, and choosing between a minor (and variations) and major variations sounded pretty cool. You should be able to do this with more than just forths or fifths.

Also, if you use all whole notes except the fourth (would be F in a C maj scale), it'll be a sort of modal scale, and you'd be free to do whatever you want. The bass would determine the chord.

Another one I like, similar to Paul's idea, is to transpose the bass of any major chord and transpose it a whole note up. You can add variation notes to the major chord to your liking. You also don't have to think much about keys when you're doing a sequence of these chords. Just move parallel to wherever you like.

<font size=-1>[ This Message was edited by: kensuguro on 2004-09-27 20:18 ]</font>

How about

D Bm G A G
D D6 DM7 F#m
G G/F# Em Em7 G G/F# Em Em7
G G/F# Em Em7 G G6 D Bm Em7 A7
D D6 DM7 F#m
G G/F# Em B+ G G/F# Em Em7
G G/F# Em Em7 G G6 D Bm G F#7
Bm Em C#m7-5 F#7
Bm G G/F# Em Em7 G6 A7
DM7 D6 F#m D+
Em B7 Em F#m
G G/F# A A/C# D Bm G Gdim D ?

Plenty more where that came from.

Asus4/D Am/D Asus2/A Em7/B Em9th/E ...
working.... lol