VDAT?

A place to talk about whatever Scope music/gear related stuff you want.

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garyb
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Post by garyb »

i think that a regular sequencer would be better for that. vdat doesn't have much syncing abilities.
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Post by dawman »

Well I guess it's time for the old Alesis HD24/96 w/MC500-MKII. This is reliable as the sunrise on the east side of the planet. This is turning out to be alot of work, I thought the old DMP7,QX-1,and TX816 would do the trick. Now they have my SFP DAW #1, and my Alesis HD24/96, and 5 UE wireless 2 ways. Now I will have to be in two places at once. So much 4 the easy paycheck.


So It Shall Be Written, So It Shall Be Done,
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garyb
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Post by garyb »

well, if it's just start/stop messages, vdat might work....
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Post by dawman »

I will replace the HD24/96, which uses MTC. This set up works fine, but I would like to swap the ADAT, 4 VDAT if possible. The searching for the files has me worried though.
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garyb
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Post by garyb »

me to.
you'll have to stripe an audio track and have any sequencer follow that.
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Post by dawman »

I sure miss the days of key tech's, FOH engineers, and no crying singers. With the extra cash, comes the extra headaches. As long as SFP / GS3 keep working I will be happy.
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astroman
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Post by astroman »

hi Jimmy, (and all VDAT users to whom it may concern :smile: )

I don't wanna mess things further, but I just had a 2nd look at the <a href=http://www.sawstudio.com/index_html.htm>SAWStudio</a> program line (you may even know it's developer Bob Lentini, who spent a significant time in Vegas as musician/engineer)

Anyway, for me it's THE mate of VDAT, in particular as there's a Midi Addon that runs in sync with the multitracked audio.

it's superfast in selecting and organizing parts of audiotracks - you immediately know that the developer must have been on such job at least once in his lifetime :wink:
I tried the same with a Samplitude 8 demo - no chance to even come close, but pain in the eyes from overcrowded dialogs...

SAW has a pretty hefty pricetag, starting at $300, $1200 and $2500 - but it's absolutely justified imho.
It looks rather humble (even a bit cheapo) on screen - the colors influenced by Vegas neons ? :grin:

The point is that your set of VDAT tracks is a unit, you cannot easily cut out or insert anything on individual tracks.
SAW does all it's tricks without actually modifying the track (of course it could, but it doesn't need to)

just check their videos, imho the learning curve is acceptable.
The keyboard shortcuts and modifiers make it that fast - don't expect to be as fast as Lentini in one of the videos, tho :wink:

cheers, Tom

<font size=-1>[ This Message was edited by: astroman on 2006-08-20 21:16 ]</font>
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Post by Kymeia »

I've recently downloaded the demo - it's a bit hard to get your head around - very cluttered. I couldn't see how to set up software monitoring so I could listen while recording. Where are these videos? - that's what I need - I did look in the tutorials section but it was all audio and pics - couldn't see any vids.
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Post by astroman »

agreed, it originally lead me to the usual 'wtf are they charging $$ for ???'
here's the <a href=http://www.sawstudio.com/LiveVideoPromo.htm>page with the vids</a>, I had only the 14 min BasicTour, tho.

I didn't try to record with it, as my concern is to edit VDAT tracks in the first place.
In my case I'd mark up the sections supposed to be used and collect them in a 'regions' list (as it's called) - which is as fast as...

select begin and end according to position in the file preview,
type shift-N,
type 'name' (or use the suggested label),
type Return.

Arrow left/right moves the pointer one pixel, with ctrl it jumps to start/end of the selection, all very quick, with proper centering on the screen.

It has an extremely convenient way of zooming in and out without loosing the pointer... etc

The afforemention list of 'regions' can be arranged in multi-track view with a lot of smart moving and grouping commands/shortcuts.
Some I've never seen elsewhere (at least not within such a dynamic flow)

The region list doesn't affect the physical file from which it is built.
Whatever item is doubleclicked, brings up the original file view and marked section instantaneously.

From all editors/sequencers I've tried, this one has the least annoyance factor - most are clumpsy in more than only one way (imho).
Probably because they are written by people who know a lot about mixing and producing, but have never been in it on a real job :wink:

Anyway, with my arranged (and cleaned up) multi-track, I might even record it back into VDAT (say in a 6 individual plus 1 (pseudeo)stereo track).

I haven't tried midi and automation yet, but I'm already pretty convinced it's the thing for me - it can save hours and hours and hours - and mousestrain on the forearms :wink:
But I didn't realize it's potential at a first (obviously too quick...) glance :oops:

cheers, Tom


<font size=-1>[ This Message was edited by: astroman on 2006-08-21 02:58 ]</font>
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Post by dawman »

You are right, it was doing most of the hard disc recording in rooms here that would allow it w/o putting Union members on the street that is. Great bit of info. I shall check it out, as he and my friend Jim Gamble were doing automatiuon stints together.

So It Shall Be Written, So It Shall Be Done,



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<font size=-1>[ This Message was edited by: scope4live on 2006-08-21 15:22 ]</font>
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Post by jimmypage »

I use VDAT for mixdown and cut and paste mono track mixing in stereo track of soundforge
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astroman
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Post by astroman »

I had a similiar way to work, that's why SAW caught my attraction.
No need to cut and paste, just marking the sections for arrangement is all that's needed.
If it turns out that something doesn't fit properly, one can shorten or extend the parts in the arrangement.
The original record remains untouched, very convenient.

cheers, Tom
2 jimmies in a row, funky :grin:

<font size=-1>[ This Message was edited by: astroman on 2006-08-22 07:31 ]</font>
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Post by Shroomz~> »

<font size=-1>[ This Message was edited by: Shroomz on 2006-08-24 03:31 ]</font>
arela
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Post by arela »

What is the real difference between
VCR-128 and VCR-S - if any?
I went thrue the manuals today, but without getting this answer.
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astroman
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Post by astroman »

the first is for the Alesis BRC, the 2nd for the LRC controller.
With a sync plate the respective hardware units are supposed to control VDAT, but according to what's reported (at least) the BRC doesn't always work reliable.

cheers, Tom
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Post by Immanuel »

The BRC does not work reliable or the VRC does not work reliable. I thought it was only the VRC, wich was not reliable ...
arela
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Post by arela »

thanks
then i don't need to think about that anymore!
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Post by dawman »

Yo Brotha'Man Jimmypage,
You don't live up in Tahoe do you? The infamous guitarist from Led Zeppelin, who owned the club Legends I worked at. If so JPJones is quite active in the Kyma community, so you are now a Pulsarian? I must know if it's you. You would remember my group working there.

PM me if you are not on your boat.
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Post by ReD_MuZe »

scope4live, weven been there already. its not jimmy page, its just someone who likes him and is not very familliar with the internet ethics...

<font size=-1>[ This Message was edited by: ReD_MuZe on 2006-08-22 15:11 ]</font>
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Post by dawman »

I would have figured it out in a PM, as I worked with the man in Lake Tahoe. There are a lot of good guitar men up there. Steve Vai, Joe Satriani, Jimmy Page, and believe it or not the Captain from The Captain And Tenille Band. He is quite a classical guitarist. Good to hear about Flexor 2. I'd like you to know that DAW #2 is a Flexor/SpaceF/John Bowen/Modular SFP box from hell. I plan to play the bitchinest sounding synths that our platform has to offer. You think I did it right this time with 45 DSP's?

Your Humble Servant,
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