dawman wrote:But if someone here wants to introduce me to an application that is free that just records a VST w/o having to re route, route, edit, quantize, I would be happy to do a 1:1 of Townsend and the synth he used, and demonstrate how accurate Zebra 2 HZ is at emulating stuff. Most folks like to record, I just like to perform and practice.
But if I can record without all of this mind boggling bull shit, hook me up.
No need a VST recorder or a PC at all.. Just put iPhone near speaker with SoundCloud app and press record and consider yourself hooked up
dawman wrote:I know this is a lame excuse, but I used VDAT for years, never needed a DAW and just wasted hours trying to do what took me seconds and minutes on hardware or VDAT.
Reaper was the last DAW I had and I didn't really care for the way it handles MIDI.
So I haven't upgraded, do not want to, and haven't recorded since Solaris demos.
On my PCs ANY file that isn't used for performing live is shredded or stashed away on another PC.
Even my Scope Folders only have in them what I use at the gig. They are butt naked.
No games, no internet access, no NSA, no wealthy redistributors have access to my rig.
But if someone here wants to introduce me to an application that is free that just records a VST w/o having to re route, route, edit, quantize, I would be happy to do a 1:1 of Townsend and the synth he used, and demonstrate how accurate Zebra 2 HZ is at emulating stuff.
Most folks like to record, I just like to perform and practice.
But if I can record without all of this mind boggling bull shit, hook me up.
Just bought my first tablet and saw the soundcloud record button. I will try That when I get home.
Dont care iF it sucks. Just need to hear the EGs retriggering....
Just examining the sound and how it's made.
It's 3 oscillators right which are being triggered by the LFO. Could this be done also with a step sequencer?
What notes are the oscillators tuned to and are they all triggrered at the same time as a layered sound?
Depends how versatile you want to get.
With Zebra 2 you can upgrade to Hans Zimmers' version that has all of the Diva Filters making it basically a Zebra Diva.
I auditioned both for weeks making presets, without hearing Zebra 2 HZ and bought Zebra 2.
Zebra is my favorite for MIDI CC# assignments too.
I suggest playing both and when you do demo Zebra I have presets that I consider more analog than the ones on offer.
They have no FX though since Modular IV, dNa Optimus Prime and other FX in Scope are far better than the generic sounding Native stuff.
Let me know I can send you mine if analog sweeping FIlters etc. is your cup of tea.
Sure! I'd love to hear your presets. And who doesn't love filter sweeps? lol.
The main thing I want though is to get as close to my old Jupiter 6 as I can. I sold it 10 years ago for stupid money, it's worth 5x the price now. I these will break eventually, and Scope and native will live a lot longer...
dawman wrote:It's getting there. Timing is everything with the Looping EG triggering.
So now 1 finger plays the Piano part, so I can concentrate on the right hand.
Just a question so I can get thus right.......are there two parts to the opening of Baba o' Riley?
1 - an arpeggio of FCFC is sustained in an up/down 16th note retrigger of each note, then
2 - the 32nd note flourish pea are played on top which creates a different rhythmical illusion.
In a nutshell is the 16th note pattern the main basis? Could you guys help me create that in modular please, I'm a learner in that field.
Do I just set up 2 oscillators and have them retriggered? Wouldn't it also be possible using a pattern sequencer or will the flourishes not work?
