Why Michael Moore Goes After Trump...

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ronnie
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Why Michael Moore Goes After Trump...

Post by ronnie »

WackyLeaks reveals MM's hidden agenda:

Immigration?

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Public Toilets?

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"I’ve come to the conclusion that synths are like potatoes, they’re no good raw—you’ve got to cook ‘em, and I cooked these sounds for months before I got them to the point where they sounded musical to me." Lyle Mays
hubird

Re: Why Michael Moore Goes After Trump...

Post by hubird »

What did the bastard wrong then?
It's legal and logical to promote your stuff at the best moments.
Alex Jones does it, Kim Kardashian does it, Sonic Core does it...

I love it to live in a world where this is normal, also when my political 'enemies' do it.
And yes, I know where the law's name normally stands for...
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ronnie
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Re: Why Michael Moore Goes After Trump...

Post by ronnie »

But, Sarge....
"I’ve come to the conclusion that synths are like potatoes, they’re no good raw—you’ve got to cook ‘em, and I cooked these sounds for months before I got them to the point where they sounded musical to me." Lyle Mays
hubird

Re: Why Michael Moore Goes After Trump...

Post by hubird »

Sarge?...sorry, doesn't trigger a bell with me, must be something locally, or?
hubird

Re: Why Michael Moore Goes After Trump...

Post by hubird »

ah, I see, Yusha Thomas, big fun, but I never had anything to do with soldier shit :D
You know, bad eyes characteristics, -12 for both together where I had -8, as I read l's for I's and f's for t's...
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hubird

Re: Why Michael Moore Goes After Trump...

Post by hubird »

Still...
https://www.youtube.com/watch?v=WEKUIOURVRw

therefor:
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Campaign-2016-Debate_Vlug-10.jpg (18.6 KiB) Viewed 1803 times
:wink:
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ronnie
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Re: Why Michael Moore Goes After Trump...

Post by ronnie »

IMHO, Moore just has a strong resemblance to Private Doberman from Sergeant Bilko, an American TV comedy from the fifties.
"I’ve come to the conclusion that synths are like potatoes, they’re no good raw—you’ve got to cook ‘em, and I cooked these sounds for months before I got them to the point where they sounded musical to me." Lyle Mays
hubird

Re: Why Michael Moore Goes After Trump...

Post by hubird »

:P
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ronnie
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Re: Why Michael Moore Goes After Trump...

Post by ronnie »

What, What? Am I the oldest SOB in he :evil: re?
"I’ve come to the conclusion that synths are like potatoes, they’re no good raw—you’ve got to cook ‘em, and I cooked these sounds for months before I got them to the point where they sounded musical to me." Lyle Mays
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Re: Why Michael Moore Goes After Trump...

Post by garyb »

no, the Dutch and others just aren't force-fed our old shows...
i saw what you did, there...
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ronnie
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Re: Why Michael Moore Goes After Trump...

Post by ronnie »

garyb wrote:no, the Dutch and others just aren't force-fed our old shows...
i saw what you did, there...
Somehow I knew it would be you! :wink:
"I’ve come to the conclusion that synths are like potatoes, they’re no good raw—you’ve got to cook ‘em, and I cooked these sounds for months before I got them to the point where they sounded musical to me." Lyle Mays
hubird

Re: Why Michael Moore Goes After Trump...

Post by hubird »

https://www.youtube.com/watch?v=_L3hwOTn7gM

Pipo the clown and Mama Lou, his wife.
And of course the hi-hatted rich parvenue as the bad guy.
World famous in Holland, iconic for old Dutch tv culture, in a time that the only black man in Holland was called 'neger' without it being a swear word (in the eyes of the white man).

You guys know nothing :P

(Sorry Ronnie, thought you was posting something serious, missed the meaning of the first two pics and focused on the last one :lol: )
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Re: Why Michael Moore Goes After Trump...

Post by garyb »

i've seen that show before.

how provincial.... :lol:
hubird

Re: Why Michael Moore Goes After Trump...

Post by hubird »

the tv serie started in 1958.
Yes, Holland was very provincial at the time.
Whole Europe was provincial, we came out of a terrible war.
Jazz music on the radio was kind of forbidden as devils music, the cultural climate was oppressive, people lived in peace but everyone in his own religious 'pilon' (kind of like America today...). Parents, teacher, referee and priest were immense authorities.
Berlin and Paris, centra of cultural modernity after WW1, got dead after the crisis of '29 and specially after A.H. took over in Germany (f.i. he deeply hated abstract art).
Several generations survived without having had a youth.

Between 1965 and 1969 everything changed totally, it was a real explosion, maybe more sudden than compared to the States.
You had Jack Kerouac in the 50ties already.

In the current regressive climate with all globalisation treats Pipo the clown today hints for that provincial but safe and domestic feeling of that era.
Not with the youngsters of course.
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Re: Why Michael Moore Goes After Trump...

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Provincial? Sad that right now in the USA, poor Pipo would likely be seen as a terrorist and dealt with accordingly by a crazed mob or even the authorities.
"I’ve come to the conclusion that synths are like potatoes, they’re no good raw—you’ve got to cook ‘em, and I cooked these sounds for months before I got them to the point where they sounded musical to me." Lyle Mays
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Re: Why Michael Moore Goes After Trump...

Post by garyb »

that's the beauty of efficiency.
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