Confirmed,- and they do it in the best studios I know.hubird wrote:Yes, that's what people do, if you have a decent tape machine at your proposition
Bud
Confirmed,- and they do it in the best studios I know.hubird wrote:Yes, that's what people do, if you have a decent tape machine at your proposition
well, yes and no.yayajohn wrote:So, what if you took a digital recording and sent it out of the computer into a reel to reel tape deck and re-recorded it back into the computer? Would it add that old analog warmth to it?
Yesterday nite, I watched a Walter Trout documentary and the studio where his last album was done has exactly that name,- the "REAL REEL STUDIO".dante wrote: Call it 'RealReel'
There´s the bus directly into the bin missing ...dawman wrote:The big place in Vegas actually runs Logic tracks into to SSL4000G+ out into your choice of 3 Tape machines.
This !dawman wrote: But these kids pay extra for Tape and the guy is making 1000s a week from underfround hip hop artists.
Exactly !catscratch wrote: I also learned how limits were a good thing.
They force you to commit to ideas and to have arrangements settled BEFORE you start recording.
Yes.dawman wrote: These concepts are mostly (but not universally) lost today
not very often at all. in a Roland Space echo, anyone with some 1/4" tape and some cellophane tape could make a new tape in about 15 minutes for next to nothing. the tapes last for years, though.dante wrote:Possibly. But maybe the tape loop could be a weakness. How often did the tape cartridges in the old Melos echo decks need replacing in a pro studio ?
I always used up the sync track w/ final vocal, after doing bouncing. You can use all 8 tracks that way.Bud Weiser wrote: I had 8 tracks but lost 2, one for the SMPTE, the other because of the crosstalk of SMPTE, so I left it free always.
Cool. Maybe it would work then !garyb wrote:not very often at all. in a Roland Space echo, anyone with some 1/4" tape and some cellophane tape could make a new tape in about 15 minutes for next to nothing. the tapes last for years, though.dante wrote:Possibly. But maybe the tape loop could be a weakness. How often did the tape cartridges in the old Melos echo decks need replacing in a pro studio ?
yeah, that's a perfect example of someone who doesn't understand what is happening. he could get the same or better effect without the extra step, but i guess you can't argue with results...catscratch wrote: I just watched a short doc on Tidal about DNA's new album 'Daywave'. There is video of him slamming tracks on to a cheap (and in my experience shitty sounding) Akai 2300 2track at 7 ips (I have one in the basement) then back into Logic. Definitely an inexpensive way to experience tape. Whatever floats your boat!