PlanetZ forums - scopeusers.com

theres a lot of processing going on and if you read a lot of the plugs for it its better for off line processing when bouncing

i mostly record at -6to -12db and then try and mix at around -12db per channel to get the master volume at about -6db i never compress the input audio i use only good quality pre either solid state neve or tube based i use compressors afterwards so i always have a nice clean dry vocal or sounds this...

mastering full level is 0.03db

and how i come up with the 5.97db

as i master our records i do a pre and our master then send it to the record companies masterer who uses ours as a reference to his final master

we are working on it

biggest time was decoding the rom os routines

im one of the beta testers and also the only stockist left of the dss1x upgrade

keep on to that korg dsm-1 new 24 mb upgrade with 32bit processor and resonance added for the filters

i have found replacement encoders which work and replacement switches for the external hardware modules i.e minimax etc the model that i tested and worked was a 25pulse version with indents 25 per revolution of 360 degrees i had to repair one recently which had several bad logic chips and 1 bad swit...

yep costs more and you disabled the hyperthreading so you could of brought a cheaper i5 same speed and cache size with the same speed benifits

yep should be a nice system for the xite dont ever bother to go to i7 as the only difference between i7 and i5 is that the i7 uses hyperthreading per core which is crap for real time audio

its a bypass cap they are used to keep any spikes of voltages from the regulators as the capacitor sinks it and gives a constant dc no ripple bypass caps are also used as noise prevention when stray hum happens by adding a bypass cap it adds a good path to ground they are not needed in most places b...

when on tape yo uses to only get around 15k max top frequency response so most eq used to have sweet spots around 10k i still try to and do my mixes with max of 16k frequency range keeps out all the top end harshness which can really fatigue your ears vocals around 5k this frequency range you really...

watch your levels going in maximum mix level before mastering should be about -6db this then gives you 5.97db room for the mastering section if you go in to hot then it will limit heavily and you will hear rough compression where things like drums get limited to much the best tools are your ears als...

akai made some great analogs in the past but they did use cem chips it way out of tune they really should of gotten some one who knows what there doing if it has to warm up for it to tune then they have not fitted tempco resistors on the integrator pairs for the vco core which is just stupid as they...

no i dont work for sonic core now if others have got the 4.5 to work on win732 then good for them the 4.5 software was written for xp if you manage to get it working in any other software then its a bonus for you but you cant complain if it does not as your 2000 sound card year being 15 years ago an...

sdk is the only way

but you can assign things in modular to bc shells that can assign to 1 dsp

gary has already told you the 4.5 drivers were written for xp only and 32bit trying them on a newer system is not going to work stop asking the same questions over again and again when you have been told the probable answer if you want it to work with those os then you need to get the 5.1 drivers an...

whats your daw i get this some times with logic and its logic that was the problem as it also did it to other hardware

where i needed to do a midi reset for that channel

some of roy thines modules and scope sync uses later c++ distributables that error message is because those modules call for that .dll and you dont have it by by adding the 2010 c++ add on will remove that problem i had it several months ago and mentioned it to shark and he told me the .dll file for...

they used a minimoog sample and a arp solina sample the b3 was kept the same and the guitar solo by gilmor

the actual b3 and k2000 was for sale a few years back and they were trying to get a hefty price for the k2000

they used a b3 and also a kurzweil k2000 when playing live for shine on

also the k250 is a sampler so i can sample sounds in sd2 and dump them via the special software that the kurzweil uses to analize the samples to create sound files