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Neither am I......

I believe a lot of modules, have never been released or only available for a small group of developers.

Cheers
Warp

Hi All,

Try this : Hold down 'Ctrl' and drag the new device over the device you want to replace.

Should work.

Cheers

Hi Paul,

Im still waiting

Cheers
Martin

Hi,

You can email Steff from Creamware regarding the pre-release of Scope DP.

mailto:sb@creamware.de

Cheers

Hi,

Im using Photoshop and Lightwave 5.6

Cheers
Martin

Hi Guys,

Another secret : Don't use comp filters at all

Modulated delays = Time varying delay lines??

If yes, are you using interpolation??

Cheers


<font size=-1>[ This Message was edited by: Warp69 on 2004-03-13 09:48 ]</font>

Hi Nicolas, Choukroun wrote: - when a sound bounce back from a wall, it does not goes back to the listener without bouncing off the other walls. That's why each Comb delay must be conserved by a feedback shame and re-injected in all the comb filters. This is what all the very knwown hardware manufac...

Hi Kim,

Since you post the thread regarding protection, I imagine that your synth is almost finished

Maybe we should continue in danish

Cheers
Martin

Hi, There have been some talk about switching devices off and unloading the DSP's - Why not use the 'Dyn Voices Of Parent' module?? '0' - Switching the device off and unloading the DSP's. '1' - Guess what :smile: Or am I missing something??? Cheers Martin <font size=-1>[ This Message was edited by: ...

Hi Paul (please check your PM),

I am using the array modul for the different samplerates, since it's pain in the *** when you are working with interpolations

Cheers
Martin


<font size=-1>[ This Message was edited by: Martin Lind on 2001-06-25 10:17 ]</font>

Hi Paul,

Yeah, I know. But I just thougt that the routing was more clear, when I included the feedback modul

Another hint, when you're working with delay lines, work in 48KHz. A delay of 1000 samples in 44.1KHz is only (1000*44100)/48000 = 918 samples.

Cheers
Martin

Hi Jilhead,

You're not alone - thats why I started this thread. I was hoping we could have a discussion, regarding 'high-end' reverb algorithms.

Cheers
Martin

At the moment it's a private project (it's far from finished). The following things are still missing : * A nice looking user interface * Different types of early reflections (I only have one) * Optimization of the algorithms * Things I can't remember right now Cheers <font size=-1>[ This Message wa...

Hi Paul, I have been working on a Reverb for some time now. Im using UFDN & 12 taps time-variant FDN. Just included early reflection. Remember to modulate the taps in your reverb. You can use 1st order linear interpolation (or allpass interpolation for better sound quality). And don't be afraid ...

Hhmm,

you can download the pictures from :

http://www.filesanywhere.com
login : Scope
pass : pass

Hi, Here are some pictures explaining the Moore/Schroeder reverb algoritm : 1) The two tanks (Comp filter and Allpass filter) <IMG SRC="http://maeli.punqtured.dk/Scope/Tanks.jpg"> 2) Inside the Comp Filter Tank - as you can see, there are 8 comp filters. This is mono, if you need stereo, y...

Nope, I have never tested a Quantec reverb. But my guess is they use a combination of UFDN (allpass feedback structure) and nested allpass filters...... Hmm I don't know - sorry!!!



<font size=-1>[ This Message was edited by: Warp69 on 2004-03-13 09:43 ]</font>

Hi Guy, FDN stands for Feedback Delay Networks. FDN can be represented as a parallel tank of taps interconnected via a energy-preserving feedback matrix. This matrix can be modulated in different ways. Apparently, allmost all reverb plugins for Scope/Pulsar use a Moore/Schroeder algorithm. It's base...

Hi,

I use Scope DP mainly for testing different types of reverb algorithms, including time-variant FDN reverberators. So ask away, if you need help

<font size=-1>[ This Message was edited by: Warp69 on 2004-03-13 09:41 ]</font>